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Object #5. On the ‘Chineseness’ of Chinese Contemporary Music

Object #5. On the ‘Chineseness’ of Chinese Contemporary Music

Posted on 8 May 2017 by Lauren Sourbutts

By Jerry Zhuo, MA in Composition. When discussing Chinese contemporary music, one may recall the debate around ‘Chineseness’ that arose with the formation of modern China in the early 20th […]

Object #4. Spyro 2: Gateway to a Reconceptualisation of Digital Sampling

Object #4. Spyro 2: Gateway to a Reconceptualisation of Digital Sampling

Posted on 24 April 2017 by Lauren Sourbutts

By Justin Turnbull, MA (Music Studies). I find that listening to music in the background whilst undertaking another task can either focus my mind on the task or distract me […]

Object #3. The Musician as an Object of Intrigue:  BLOW Trio and Re-discovering Jazz as Popular Music

Object #3. The Musician as an Object of Intrigue: BLOW Trio and Re-discovering Jazz as Popular Music

Posted on 10 April 2017 by Lauren Sourbutts

By Chris Stone, MA (Composition). As popular music enters an era of unprecedented stylistic diversity, the practise of revisiting and re-contextualising older genre-specific tropes and conventions is increasingly popular with both […]

Object #2. The Panopticon and Acousmatic Stalkers in Film

Object #2. The Panopticon and Acousmatic Stalkers in Film

Posted on 28 March 2017 by Laura Stephenson

By Sini Mononen, PhD student, University of Turku. In the film When a Stranger Calls (1979), a young babysitter (Carol Kane) is being terrorized by an anonymous stalker, who keeps […]

Object #1. A war sample from Matthew Herbert’s The End of Silence

Object #1. A war sample from Matthew Herbert’s The End of Silence

Posted on 28 March 2017 by Laura Stephenson

By Richard McReynolds, PhD student (Composition). As a composer who deals with electronics and studio-based composition, I believe that using real-world sounds produces powerful artistic statements about the world. In […]

About the 100 Objects blog

Posted on 28 March 2017 by Laura Stephenson

This Blog collects material used as a catalyst for discussion at the School of Music’s PG Forum, an informal meeting where PhD and Master’s students debate the practical and theoretical […]

Beethoven’s Seventh Symphony and Harmoniemusik: recovering a lost soundscape

Beethoven’s Seventh Symphony and Harmoniemusik: recovering a lost soundscape

Posted on 25 January 2017 by Laura Stephenson

Boxwood & Brass, specialists in Harmoniemusik (for wind instruments) from the two or three decades either side of 1800, will be in concert here in February as part of our […]