By Isabel Thomas (MA Music) About three years ago I bought the book Electric Eden: Unearthing Britain’s Visionary Music, (London: Faber, 2010) by Rob Young, in the brilliant second-hand section […]
By Henry Morgan (PhD Musicology) Recently, I have been investigating the Internet as a relatively new and unique cultural space in which artistic communities are formed and musical activity is […]
By Benjamin Davis (PhD Musicology) The object I have chosen is Fredric Jameson’s book Marxism and Form (1971), in which he postulates that history, as absent cause, shapes cultural forms […]
By Harriett Blakeman, MA (Performance) Directed by Mark Herman, Brassed Off (1996) confronts social and political tensions prevalent in late twentieth-century Britain. Herman portrays a colliery brass band threatened by […]
By Poumpak Charuprakorn (PhD in Composition) My composition ‘Never-ending Torture’ for soprano and harp was composed for the event ‘Coma notes: music and poetry exploring consciousness and coma’, a collaborative […]
By Jeffrey P Charest, PhD student For Object #7, PhD student Jeffrey Charest discusses the cifteli and the buzuk, which he presented at the Postgraduate Forum. "At the Postgrad Forum I […]
By Alessandra Palidda (PhD) My PhD project focuses on the relationship between music, society and politics in the city of Milan between 1790 and 1802. I have chosen this particular […]
