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100 Objects

Object #3. The Musician as an Object of Intrigue:  BLOW Trio and Re-discovering Jazz as Popular Music

Object #3. The Musician as an Object of Intrigue: BLOW Trio and Re-discovering Jazz as Popular Music

Posted on 10 April 2017 by Lauren Sourbutts

By Chris Stone, MA (Composition). As popular music enters an era of unprecedented stylistic diversity, the practise of revisiting and re-contextualising older genre-specific tropes and conventions is increasingly popular with both […]

Object #2. The Panopticon and Acousmatic Stalkers in Film

Object #2. The Panopticon and Acousmatic Stalkers in Film

Posted on 28 March 2017 by Laura Stephenson

By Sini Mononen, PhD student, University of Turku. In the film When a Stranger Calls (1979), a young babysitter (Carol Kane) is being terrorized by an anonymous stalker, who keeps […]

Object #1. A war sample from Matthew Herbert’s The End of Silence

Object #1. A war sample from Matthew Herbert’s The End of Silence

Posted on 28 March 2017 by Laura Stephenson

By Richard McReynolds, PhD student (Composition). As a composer who deals with electronics and studio-based composition, I believe that using real-world sounds produces powerful artistic statements about the world. In […]

About the 100 Objects blog

Posted on 28 March 2017 by Laura Stephenson

This Blog collects material used as a catalyst for discussion at the School of Music’s PG Forum, an informal meeting where PhD and Master’s students debate the practical and theoretical […]